Best 90s Cover Bands in Louisiana

Last Updated: 7/9/2026

Louisiana’s best 90s cover bands bring the decade back with grunge guitars, pop-radio hooks, hip-hop grooves, and big singalong choruses built for weddings, festivals, casino nights, class reunions, and 90s themed parties. From Baton Rouge bars to New Orleans stages, these acts help turn nostalgia into a live, danceable booking option for planners who want familiar songs with real crowd pull.

That 90’s Show

That 90’s Show is a Lafayette-based 90s tribute band for Louisiana planners who want a local nostalgia act with a bar-stage and party-room feel. Public descriptions put the band in the 90s tribute, party music, and rock/variety lane, which makes it a natural fit for flannel-era singalongs, alt-rock callbacks, and MTV-style throwbacks.

The full current lineup is not publicly posted. The one musician I could verify by name is Kent Beatty, a Louisiana bassist and vocalist whose musician bio lists That 90’s Show among his rock/variety credits.

A complete public setlist was not available, but the verified repertoire clues lean toward 90s rock muscle. Rock’n’Bowl Lafayette promoted a special Nirvana set, an Instagram clip references RHCP’s “Aeroplane,” and a Facebook comment singled out a Rage Against the Machine song.

The show style reads like a 90s party more than a polished theater revue. Public event copy points to flannel, alt-rock, boy bands, and MTV nostalgia, so the appeal is less about deep-cut archaeology and more about getting a room back into the decade quickly.

For venue proof, Rock’n’Bowl de Lafayette is the strongest local anchor, with public listings also connecting the band to Panorama Music House in Lake Charles and Kemah Boardwalk’s Rock the Dock summer concert series.

Social proof is modest but visible. The Facebook page showed 947 likes, and the Instagram account showed 100 followers at the time checked. I did not find verified WeddingWire, The Knot, Bandsintown, or The Bash review ratings.

Booking details are simple from the public sources: the band lists messaging and an email contact for venues, parties, and events. I did not find published package sizes, set lengths, production specs, attire options, or travel details.

That makes That 90’s Show a practical fit for clubs, live music rooms, outdoor concert series, 90s themed parties, festivals, and private events where Louisiana crowds want familiar 90s rock and nostalgia without needing a full tribute-theater production.

LINK: https://www.facebook.com/90show/

ALT’R EGO

ALT’R EGO is a New Orleans-area 90s and 00s alternative rock and pop band with a set built for listeners who grew up on Matchbox 20, Blink-182, Foo Fighters, Stone Temple Pilots, Alanis Morissette, The Cranberries, No Doubt, and Third Eye Blind.

The official lineup is a five-piece: Scotty McGregor on lead vocals, guitar, and guitar synthesizer; Marguerite Orion on lead vocals; Robbie Hotard on lead guitar and vocals; Al Haus on bass guitar; and Ray Smith on drums and vocals.

The set list leans straight into MTV-era and late-90s radio memory: “3 AM,” “All Star,” “All The Small Things,” “Been Caught Stealing,” “Bitch,” “Breakfast at Tiffany’s,” “Closing Time,” “Don’t Speak,” “Everlong,” “Interstate Love Song,” “Ironic,” and “Zombie.”

Onstage, this reads as a guitar-forward singalong show rather than a broad variety-band package. The appeal is in alt-rock hooks, female and male vocal turns, crunchy chorus moments, and familiar songs that can pull a bar crowd, festival lawn, or themed party into the same decade.

The player bios give the act useful credibility. Scotty McGregor lists more than 25 years in the local music scene, Robbie Hotard more than 35 years as a lead guitarist, and both Al Haus and Ray Smith more than 20 years of experience. Venue proof includes Southport Hall, Faux Meaux NOLA, Whiskey Tavern Covington, Pelican Park, Ground Pat’i Rivertown, Fulco’s Bar, and St. Rita Fall Festival.

Public rating and review counts were not found. The stronger verified booking-context proof is that ALT’R EGO is listed as a member of the Louisiana Association of Fairs and Festivals and appears on its talent page.

Booking is handled through Vicki McGregor, with call/text and email contact listed publicly. No public details were found for custom set lengths, wedding ceremony music, cocktail sets, attire, production, or travel radius.

ALT’R EGO is a strong fit for Louisiana clubs, festivals, fundraisers, family-friendly public events, 90s and 00s themed celebrations, and private parties where alternative-rock singalongs are the point.

LINK: https://altregonola.com/

Kids In America

90s Kids Superfly Tribute is a Charlotte-based 90s cover band for Louisiana planners who want a live-band nostalgia show with more bite than a retro playlist. The group covers pop, dance, grunge, rock, and hip-hop, giving it the range to fit New Orleans corporate events, Baton Rouge festivals, Lafayette wedding receptions, casino nights, private parties, clubs, theaters, and 90s themed celebrations.

The band performs as a six-piece lineup: Shannon Remley on lead vocals, Ray Hartsfield on lead vocals and guitar, Roey Haviv on bass guitar and vocals, G K on lead guitar and vocals, Rob Bowser on keyboards and synths, and Mike Graci on drums and percussion. With several vocalists plus guitars, bass, keys, synths, drums, and percussion, the group can move between alt-rock crunch, pop-radio hooks, dance grooves, and hip-hop throwbacks without losing the feel of a real band.

Their song list hits multiple sides of the decade, including “…Baby One More Time,” “All Star,” “All the Small Things,” “Basket Case,” “Creep,” “Everybody (Backstreet’s Back),” “Gangsta’s Paradise,” “Groove Is in the Heart,” and “No Diggity.” For Louisiana crowds, that spread can move from grunge and pop-punk to boy-band nostalgia, hip-hop grooves, and dance-floor favorites in one set.

Onstage, 90s Kids Superfly Tribute builds the theme through costumes, props, audience participation, and a full live-band format. Their official materials say they perform without backing tracks, which gives the show more live impact for planners who want musicians carrying the room instead of pre-recorded parts doing the work.

For Louisiana bookings, the band is best considered a traveling 90s tribute option for events that need a focused decade act rather than a local general-cover band. Travel, routing, production needs, and availability for Louisiana dates should be confirmed directly with the band.

Best fits include festivals, wedding receptions, corporate events, private parties, fundraisers, casino nights, class reunions, clubs, theaters, and 90s themed celebrations that need a broad 90s soundtrack played by a full band.

LINK: https://90scoverband.com/

Bad Habit Band

Bad Habit Band is a Louisiana-based variety cover band with a 90s streak, especially for planners who want grunge-era flavor without locking the whole night to one decade. Public listings describe the band as covering classics from the 70s and 80s, the grunge age of the 90s, and party favorites from the 2000s.

The band is listed as a 5-member act, though full public lineup names and roles are not posted. Bret Jarreau appears as the booking contact, and event listings also reference acoustic versions featuring Bret with Kelli or Kelly.

A verified song-title setlist was not publicly available. What can be confirmed is the broader lane: rocked-up multi-decade covers, with 90s grunge sitting alongside older rock favorites and 2000s party material.

Onstage, Bad Habit reads as a bar-tested Louisiana party band rather than a museum-piece tribute. The public description points toward a show built for dancing, shouting along, and keeping familiar rock and party songs moving.

Their venue trail includes Baton Rouge-area and Louisiana stops such as Ivar’s Sports Bar, Boudreaux & Thibodeaux, GolfSuites Baton Rouge, Fred’s On The River, Bottle & Tap Music Cafe, Trickshot Sports Bar, and Le Chien Brewing Company.

No verified public review rating or review count was found, so the strongest credibility point is booking visibility through Louisiana entertainment and live-event listings, plus documented appearances going back to 2019.

For booking, the safest read is a Louisiana-based full band with acoustic-format references, useful for planners who want a flexible rock cover act. Public sources do not confirm production specs, set lengths, attire options, or travel range.

Bad Habit Band is a fit for Louisiana festivals, bar nights, fundraisers, casual private parties, class reunions, and 90s-themed events that can use a wider multi-decade rock-and-party set.

LINK: https://www.facebook.com/badhabit225

Hidden Tracks

Hidden Tracks is a Northeast Louisiana 90s alternative rock cover band for planners who want the guitar-driven side of the decade: college-radio hooks, post-grunge choruses, pop-punk bursts, and the big singalong moments that still hit a room fast.

Public lineup info points to a four-piece built around Heath Work, Preston Fulco, and James Buckley, with the bass role listed as Keith Adams on the official site and Tracy Rainwater in recent local coverage. That conflict is worth noting for anyone confirming a booking.

The setlist leans hard into recognizable 90s alt-rock: “Good,” “Santa Monica,” “Comedown,” “Let Her Cry,” “All the Small Things,” “Cumbersome,” “Not an Addict,” “Buddy Holly,” “Say It Ain’t So,” “Flagpole Sitta,” “Got You (Where I Want You),” and “Creep.”

Onstage, this reads more like a 90s rock night than a generic party-band set. Local coverage describes the band getting people out of their seats to sing and dance, which makes sense for a show stacked with Weezer, Everclear, Bush, Radiohead, and Harvey Danger.

The band has local credibility beyond bar gigs, including a Louisiana Peach Festival appearance at Railroad Park and a Harvest Under the Stars fundraiser in Monroe. Hidden Tracks has also been identified as a NELA Music Awards nominee.

Social proof is modest but useful: the band’s Facebook page shows 1,727 likes, and NELA Music Awards coverage gives the act a clear local nod for crowd engagement. No public rating or review count was found.

Booking details are simple in the public materials. The band lists an email contact and Facebook connection, but public set lengths, production specs, travel range, attire options, and private-event customization details were not found.

Best fits: Louisiana festivals, fundraisers, club nights, class reunions, private parties, and 90s themed celebrations where alt-rock nostalgia is the main attraction.

LINK: https://hddentracks.wixsite.com/hiddentracks

ReGeneration

ReGeneration is a Louisiana rock cover band for planners who want the 90s and early 2000s side of the decade: grunge guitars, alt-rock choruses, and pop-rock hooks from the Baton Rouge and Gonzales area.

The verified lineup is a four-piece: Jeff Marcello on lead vocals and guitar, Ben Cascio on lead guitar/vocals, Jared Chiasson on bass, and Bobby Singh on drums.

The public repertoire points toward Pearl Jam, Alice in Chains, Matchbox Twenty, Counting Crows, Foo Fighters, Stone Temple Pilots, Bush, Creed, Gin Blossoms, and other 90s/2000s rock names. A broader booking song list also includes titles such as “Hard to Handle,” “Santeria,” “Smooth,” “Mambo No. 5,” and “I Need to Know,” though that list is not presented as a current 90s-only setlist.

Onstage, ReGeneration is built more like a rock club act than a slick variety-show package. The available descriptions lean into a polished, heavy rock presentation with an interactive party-band streak, so the fit is strongest when the room wants guitars, familiar choruses, and a throwback rock-bar feel.

The venue trail is solid for South Louisiana. ReGeneration has multiple listings at The Edge Bar at L’Auberge Casino in Baton Rouge, along with repeat dates at Ice House Tap Room, Good Times Bar, Fat Cat Saloon, Coop’s on 621, Boudreaux & Thibodeaux, and J’s Joint. The band was also listed for the Red Rock & Blue local artist showcase at Varsity Theatre, a fundraiser benefiting Louisiana military charities.

For social proof, Facebook shows 1,212 likes and 4 reviews, although no public rating was visible in the search result. The band’s Instagram presence is smaller, with 163 followers shown in public search results.

For booking logistics, The Bash lists Regeneration Rock as a Baton Rouge variety band, cover band, 90s band, rock band, jam band, and wedding band. That profile lists travel up to 100 miles, virtual services offered, and starting pricing at $700 per event. The official website provides direct contact options for Ben and Jeff.

Best fits include 90s themed parties, casino lounges, clubs, class reunions, private parties, fundraisers, and weddings that want a rock-leaning reception set instead of a broad formal dance band.

LINK: https://www.regenerationrock.com/

Five Finger Discount

Five Finger Discount is a New Orleans cover and party band that belongs in a Louisiana 90s band search when the event needs more than a straight tribute set. The verified listings point to a broad party mix with 90s songs folded into rock, classic rock, Top 40, hip-hop, Motown, and multi-decade covers.

Public lineup details were not available in the sources I found. Planners should ask Music Garden for the current roster, vocalist setup, and stage configuration before comparing the band against more narrowly defined 90s tribute acts.

A verified song-title setlist was not available either. What is clear is the lane: this is a genre-hopping party-band format, not a flannel-only alt-rock show or a strict MTV-era tribute. That makes it better suited to mixed-age dance floors than to events that need a precise 90s album-cut experience.

The show is described publicly as an over-the-top cover-band presentation. For planners, that suggests a band built around crowd movement and party pacing rather than background music.

The band’s history traces back to 1999 out of New Orleans. The strongest venue proof I found is Big Night New Orleans at the Hyatt Regency New Orleans, where Five Finger Discount appeared on a New Year’s Eve bill that also included Big Freedia, Tank & The Bangas, Brass-A-Holics, Bustout Burlesque, and the 610 Stompers.

Public review data was limited. GigTown shows no reviews for the artist profile, so planners should ask the agency for recent references, client feedback, and sample video before booking.

Music Garden positions Five Finger Discount for wedding receptions, fraternity and sorority parties, Mardi Gras balls, high school proms, company parties, fundraisers, and other events. Public details on set length, travel range, attire, production, and custom requests were not listed.

For Louisiana events, Five Finger Discount looks like a fit for weddings, corporate parties, Mardi Gras balls, fundraisers, private parties, casino-style celebrations, class reunions, and 90s themed events where the goal is a wide-open party set with 90s nostalgia in the mix.

LINK: https://musicgardenbands.com/five-finger-discount.html

Be Kind Rewind

Be Kind Rewind is a Slidell-based Louisiana cover band aimed at the 90s and early 2000s lane, with a public identity centered on alt-rock, grunge, rock, and pop-punk nostalgia. For a Louisiana 90s cover band list, they read less like a polished ballroom variety act and more like a Northshore throwback band built for people who want guitars, choruses, and familiar radio-era hooks.

Lineup details were not publicly verified, so this profile does not list member names or roles.

A song-title setlist was not available in accessible sources. Public descriptions point to 90s and 2000s throwbacks, especially grunge, alternative rock, and pop-punk material.

The show style appears to lean casual, loud, and singalong-friendly, with posts framing the band around nostalgia, pop-punk hits, and throwback nights rather than formal reception pacing.

Their verified footprint includes Columbia Street Taproom in Covington, The Landing in Slidell, Benny’s Live in Downtown Hammond, T Rivers in Madisonville, Paradise Alley, and Gus Pub & Grill. Columbia Street Taproom is the strongest venue proof here, since the venue itself promotes live music and has been recognized locally as a Northshore bar, live music venue, and place to dance.

No verified ratings, review counts, awards, or follower totals were found in accessible sources.

Booking information is publicly listed through LAFFNET, including a contact email, but lineup size, set lengths, production, attire, ceremony music, and custom-request policies were not verified.

Best fits include clubs, taprooms, bar events, 90s and 2000s theme nights, class reunions with an alt-rock crowd, and informal private parties where pop-punk and grunge nostalgia are the point.

LINK: https://www.instagram.com/bekindrewindbandnola/

The Chee-Weez

The Chee-Weez are not a strict 90s-only tribute. They are a New Orleans 5-piece tribute/show band with 90s songs folded into a larger retro party format that runs through rock, pop, dance, R&B, country, hair metal, and arena singalongs. For a Louisiana 90s list, that makes them the broad-reach pick for planners who want “No Diggity” and “My Own Worst Enemy” in the same room as Journey, Bon Jovi, Metallica, and Neil Diamond.

The lineup is listed by the Louisiana Music Hall of Fame as David Joyner on lead vocals, Matt Richard on guitar/vocals, Joey Mangiapane on bass/vocals, Daniel Dicharry on keyboards/vocals, and Mark Hebert on drums. Older ReverbNation information lists Brandon Foret on vocals, so the lead-vocal slot appears to have changed across sources.

Their 90s and later song list includes “What’s Up,” “No Diggity,” “All The Small Things,” “Jump Around,” “Pony,” “Bawitdaba,” “Cowboy,” “My Own Worst Enemy,” “This Is How We Do It,” and “Callin’ Baton Rouge.” It is less flannel-only nostalgia and more barroom jukebox chaos, with hip-hop grooves, pop-radio hooks, rock choruses, and Louisiana-friendly crowd favorites all in play.

The show is built big. The band’s own materials point to video walls, lights, lasers, pyro, off-the-cuff antics, spur-of-the-moment medleys, rocked-up dance tunes, and audience involvement. This is the kind of act that treats the stage like a playground, not a recital.

The Chee-Weez formed in 1997 just outside New Orleans and have shared bills with Styx, Journey, The Pointer Sisters, and K.C. and the Sunshine Band. Louisiana and Gulf Coast venue proof includes L’Auberge Casino & Hotel Baton Rouge, Margaritaville Resort Casino Bossier City, Hard Rock Live Biloxi, and Hollywood Casino Gulf Coast.

Their public social proof is strong but not spotless. Ticketmaster lists a 4.3 rating from 26 reviews, with positive comments about the song range, crowd involvement, and musicianship, alongside a few critical reviews. Their Facebook and Instagram presence also shows a large regional following.

Booking information is public through Joey Mangiapane with Weezer Entertainment. Verified logistics include the 5-piece format and large production elements, but I did not find public details for ceremony music, cocktail sets, DJ add-ons, attire options, or custom-request policies.

Best fit: casino nights, festivals, corporate parties, private parties, fundraisers, class reunions, clubs, theaters, and 90s-themed celebrations that want the 90s as part of a bigger throwback party rather than a narrow decade recreation.

LINK: https://thecheeweez.com/

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